Fleshgod Apocalypse "Opera" Album Review

Fleshgod Apocalypse might be one of the most well-constructed chaotic bands I've ever encountered. There's an almost indescribable order within the chaos of their music and emotions. While their earlier work showcased incredible technical death metal talent, their more recent albums highlight their capacity to weave magnificent orchestral arrangements into their sound, blending complexity with symphonic grandeur. After King (2016) and Veleno (2019), it’s exciting to see what these Italian virtuosos have in store with their next release.

Opera marks the 6th entry in Fleshgod's discography, and coming after Veleno, it shares a similar background and atmosphere. While I admired Veleno and played it frequently, it sometimes lacked cohesiveness. The first thing Fleshgod Apocalypse did with Opera was fix that. Opera is more focused, atmospherically complete, and a unified record overall. Considering it’s inspired by the Opéra Lyrique, that sense of cohesion was expected—and they delivered.

Fleshgod Apocalypse has always been criticized for being too loud, too complex, and lacking in riffs. While there's some truth to these critiques, it depends on how you look at their music. It's designed to be loud and intricate, with riffing often embedded within the orchestral arrangements. Sure, the riffs may not always be at the forefront, but the solos and classical elements carry the music, even if some deathcore-esque moments occasionally distract. Ultimately, it's a matter of focus.

I choose to focus on their creativity within a genre that can feel overdone to some. Their perspective on classical elements and the delicate balance between chaos and order are why I regard Opera as one of their finest records, if not their best. While the shorter songs and more direct approach might be mistaken as "selling out" or "going mainstream," I see it as a more refined and focused direction. Fleshgod Apocalypse is using their strongest assets to display their prowess. Tracks like I Can Never Die and Bloodclock demonstrate their ability to craft unforgettable hooks, while At War with My Soul, Morphine Waltz and Matricide 8.21 show their talent for integrating orchestral elements that have defined their sound. In my view, Opera is a resounding success.

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HIGHLIGHTS:

I Can Never Die

Pendulum

Bloodclock

At War with My Soul

Till Death Do Us Apart

RATING: 8.0 / 10